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Roberts, David (2006). British Hit Singles & Albums (19thed.). London: Guinness World Records Limited. pp.242–243. ISBN 1-904994-10-5.
It would be unfair to dismiss "24 Hour Party People" as a biographical look at Tony Wilson. It's so much more. It's a celebration of music, of a lifestyle, of a bygone era. It also plays like a Greek tragedy, albeit substantially more fun, but there is no shortage of darkness and tragedy in the film. The shifts in tone are particularly remarkable, as the film veers from its usual dry, sardonic tone into real pathos and examination of the dark side of almost any phenomenal success. A fictionalised depiction of the band is featured in the 2002 film 24 Hour Party People, with Danny Cunningham as Shaun Ryder and Paul Popplewell as Paul Ryder. Paul Ryder himself had a cameo role in the film as a gangster and Rowetta appeared in the film as herself. [18] Third incarnation [ edit ] a b "Derek Elley (28 March 2002). "24 Hour Party People". variety.com. Variety Media . Retrieved 31 May 2023.
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In 1980, on leaving school, Ryder worked for the Royal Mail and teamed up with his brother – who had already spent time in youth custody for a theft offence – to form a band with Whelan and Day. Gordon Barr (1 February 2012). "Interview: Shaun Ryder from Happy Mondays". Evening Chronicle. Media Limited . Retrieved 6 May 2012. Yes Please! followed in 1992, produced by Chris Frantz and Tina Weymouth, recorded at Eddy Grant's studio in Barbados. [13] The album was a commercial failure that bankrupted Factory Records. [14] Second incarnation [ edit ] a b c Smith, Evan (1 December 2013). "History and the Notion of Authenticity in Control and 24 Hour Party People". Contemporary British History. 27 (4): 466–489. doi: 10.1080/13619462.2013.840537. ISSN 1361-9462. S2CID 159889143.
Stanley, Carl (18 July 2022). "Remembering Paul Ryder". Louder Than War. Archived from the original on 18 July 2022 . Retrieved 6 August 2022. Warburton, John; Ryder, Shaun (2011). Hallelujah!: The Extraordinary Story of Shaun Ryder and Happy Mondays. London: Virgin Books. ISBN 978-0-7535-0781-0.Paul Anthony Ryder was born in Salford, Lancashire, on 24 April 1964 to Linda (née Carroll), a nurse, and Derek Ryder, a postal worker, and brought up in the city’s suburb of Little Hulton. Happy Mondays toured the US and Canada with The Psychedelic Furs in late 2009 with Paul Ryder's son and Shaun Ryder's nephew Jake Ryder filling in for Gaz Whelan on drums. [24] Howe, Jon. "Are You Man U, You? - When The Happy Mondays Played Leeds' Elland Road". Sabotage Times . Retrieved 11 August 2019.
The 100 best films of the 21st century". The Guardian. 13 September 2019 . Retrieved 24 September 2019.Davis joined them the following year and they performed cover hits at youth clubs, first without a name, then as Avant Garde and Penguin Dice. Official Selection 2002: All the Selection". festival-cannes.fr. Archived from the original on 14 December 2013. The band signed to Creation Management in 2015. They have announced an international tour to coincide with the 25th anniversary of the Pills 'n' Thrills and Bellyaches.
Robb, John (2009). The North Will Rise Again: Manchester Music City 1976-1996. London: Aurum Press. p.261. Ryder left Happy Mondays to write music for several television shows, and formed a new band, Big Arm, [6] who released an album in 2008 titled Radiator. [9]As usual with anything even remotely related to Factory Records, the film received its own FAC catalogue number – posthumously, in a sense, as Factory had already been bankrupt for nearly a decade. 24 Hour Party People is known as FAC 401, being first on the hundred that features other video & multimedia releases. [15] Their first releases, the Forty Five EP (1985) and the single “Freaky Dancin’” (1986), flopped, but the follow-ups broke through into the indie chart, as did Happy Mondays’ 1987 debut album, the curiously titled Squirrel and G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out). Hour Party People" feels like a complete artistic achievement. It captures the energy of the music, the feel of it, the basis for the movement so well, but also succeeds at providing a well-told summary of the story of Factory Records, the Hacienda, and Tony Wilson. As far as I'm concerned it's one of the most enjoyable films ever made, and one of the most consistently successful. I don't think there's anything here that falls flat, it's all quite brilliant, from the first scene to the final shot. In 24 Hour Party People, Winterbottom takes the viewer into the heart of the Manchester music scene of the late 80s. Not only that, but he does so through the eyes of the bumbling egomaniacal proprietor of Factory Records Tony Wilson (Steve Coogan).
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